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‘The Hurt Locker’ was problematic for us because it departed from what we thought was the real military ethos,” Strub said. “Of course we want to get the ribbon rack correct, of course we want people saluting looking properly. [But] the bottom line for us is how do people feel — how does a serviceman or servicewoman feel about the portrayal? … That portrayal is more important by far than whether the eagle is facing forward.
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meghanagain said:
also of note: nytimes.com/2012/05…
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